|
Artist Statement.
My work follows two primary themes that must cooperate to succeed. One emphasizes form and the second concentrates on nature. While it is important to be skilled with tools and techniques the work is not a showcase for the artist’s mastery of the gouge. A satisfying result is seldom won if form or nature is not clearly the emphasis. After that, it is a matter of balance. The beauty found in the figure of some timber can be spectacular and deserves a complimentary form that doesn’t compete for attention. In other instances the figure is more subtle in its beauty and willingly plays a supporting role for the form. My challenge is to create a successful match between the two and craft the stage so appreciation of what I may have done comes only as an afterthought to enjoyment of the real stars of the show—form and nature. |
How did it all get
started?
Humble
Beginnings!
I
turned my first bowl in the ‘50’s. Hardly a masterpiece, it was a
laminated maple bowl
I turned in shop class for my mother. I got the bowl back when
she passed on, and
while it didn’t weather the decades too well it still oversees my
current work
from a shelf in my shop.
I’ve had a lifelong love affair with wood but allowed education and a couple of careers to interfere with any serious pursuit for 35 years, so I’ve only been turning with a passion since moving to Georgia from the Texas Hill Country in 2002.
Here's my shop
(excuse
me…
studio) in
Georgia.
When I arrived in northwest Georgia in 2002 I was fortunate to find a builder who wanted a motor home because I had a motor home and wanted a shop. Now we’re both happy.
Where do I get my wood?
I am often asked where I get my wood. The first line of my normal
response is that "It finds me now."
Disclaimer.
I try to avoid doing anything that would encourage cutting trees
just so I can have wood to turn.
Firewood.
When I first moved here I started with the wood in the firewood pile
that came with the house I bought, but I needed a better source.
Ads.
I soon had more than I could handle after placing a couple of ads in
the regional free classified traders. In fact, the first tree I
got was a 70 foot white oak monster from Calhoun, Georgia. It had
fallen across three back yards during a violent storm in 2002 and took
several trips with my pickup and trailer. Before the job was done
I had blown two tires on my trailer and uncovered a car. As
it turned out I had tackled more that I should have to be working alone
with just a manual crane on my trailer. This experience would
later join with a similar retrieval of a red oak from Eastridge,
Tennessee to convince me I could no longer think of myself as a latter
day Paul Buyan without a blue ox.
The Dump.
Fortunately I live in an area that does not offer garbage pickup.
(What? What has that got to do with it?
Please read on.) That means I have to take my garbage to
the transfer station where it is transported from the compactors to the
land fill. That also happens to be where county residents take
their trees to allow them to be shredded into mulch for county
residents. (So, you're starting to see where this is
going.) When I take my trash I see what's available. My
wife thinks I'm a scavenger, and she is probably correct, but I've
found some very nice cherry, maple, sycamore, blackheart poplar, and
other turning stock there. Let's not forget, too, the added bonus
that it's only two miles from home and I've not yet blown another tire
on my trailer.
Get Lucky.
Every now
and then even I get lucky. An acquaintance was clearing some land
that included some cherry trees destined for the pulp mill. I was
able to get these at a reasonable
cost including the load.
Make the Best
of a Bad Situation. Though I do not encourage cutting
trees, they will be felled for other reasons. If that's the case
anyway, I would certainly prefer to give them a second life if I
can. This walnut was taken out in favor of a parking lot across
from the Wal-Mart in Calhoun, Georgia.
I am much less
concerned with producing a technically perfect
piece than I am with finishing something with a pleasing form and
finish that
showcases what already exists in nature to be appreciated.
If the
shape is pleasing it is probably not new but only reminiscent of
something
we’ve seen before… the spiral of a chambered nautilus… the curve of a
rainbow…
the outline of a poppy.